Our 59th Season

Please note: Shows and Dates are subject to change

Directed by Michael A. Muller

January 16 – February 1

Secrets, schemes, and sacramental wine collide in this laugh‑out‑loud farce! When two reporters go undercover at the Sisters of Perpetual Sewing to investigate rumors of illicit winemaking, chaos erupts as mistaken identities multiply and the truth becomes harder to hide. Packed with physical comedy, heartwarming moments, and nonstop surprises, Drinking Habits is a delightful romp that proves miracles — and misunderstandings — can happen when you least expect them.

Directed by Todd Bennington

March 6 – March 22

Neil Simon’s first Broadway hit bursts with charm, wit, and irresistible 1960s flair. When Alan Baker, a carefree bachelor living the high life in Manhattan, takes in his sheltered younger brother Buddy, the Baker household is thrown into comic turmoil. Parents panic, romances blossom, and independence takes hilarious twists in this warm, nostalgic comedy about family, growing up, and finding your own rhythm. A feel‑good crowd‑pleaser from America’s master of laughter.

Directed by Holly J. Kowalenko

April 17 – May 3

Holiday cheer meets theatrical chaos in this riotous backstage comedy! As a struggling theatre company scrambles to mount its annual production of A Christmas Carol, everything that can go wrong absolutely does. Rehearsals unravel, egos flare, and a case of mistaken identity sends the cast into full‑blown panic. Packed with slapstick, satire, and festive mayhem, Inspecting Carol is a laugh‑out‑loud holiday treat for anyone who’s ever been part of — or simply loved — live theatre.

Directed by Richard Butler

June 5 – June 21

Warm, funny, and deeply human, Crimes of the Heart follows the eccentric Magrath sisters as they reunite in their Mississippi hometown after a family crisis. Old wounds resurface, secrets spill out, and the sisters navigate love, loss, and the complicated ties that bind them. Winner of the Pulitzer Prize, this beloved Southern tragicomedy blends humor and heartbreak in a story about resilience, forgiveness, and the power of family. 

Directed by Christian Carrera

July 17 – August 2

A heartfelt, high‑energy musical comedy about family, second chances, and seeing life through someone else’s eyes! When an overworked mother and her teenage daughter magically swap bodies, they’re forced to live a day in each other’s shoes — literally. Chaos erupts as they juggle school, work, friendships, and a wedding rehearsal gone wildly off the rails. With a pop‑rock score, big laughs, and a touching message about empathy and understanding, Freaky Friday is a joyful, fast‑paced crowd‑pleaser for audiences of all ages.

Directed by Emily M. Muller

September 11 – September 27

Get ready for a fast‑paced, side‑splitting spoof of the legendary outlaw you almost remember! In this Monty Python‑style romp, Robin Hood and his Merry Men battle the evil Prince John with plenty of snark, slapstick, and fourth‑wall‑breaking fun. Packed with over‑the‑top characters, outrageous plot twists, and humor for all ages, The Somewhat True Tale of Robin Hood is a wildly entertaining adventure that proves heroism is in the eye of the beholder — and comedy is everywhere.

Directed by Roberta Steve

October 23 – November 8

Agatha Christie delivers a gripping mystery filled with twists, revelations, and razor‑sharp suspense. When Carla Crale discovers a letter suggesting her mother was wrongly convicted of murder, she sets out to uncover the truth. With the help of a determined young solicitor, she gathers the original witnesses to reconstruct the events of that fateful day. As memories clash and motives surface, the past becomes a puzzle only the audience can piece together. Go Back for Murder is classic Christie — clever, surprising, and irresistibly engaging.

Directed by Raymond Shinn

with Musical Direction by Emily Bengels

December 4 – December 20

Based on Louisa May Alcott’s life, Little Women follows the adventures of sisters, Jo, Meg, Beth and Amy March. Jo is trying to sell her stories for publication, but the publishers are not interested – her friend, Professor Bhaer, tells her that she has to do better and write more from herself. Begrudgingly taking this advice, Jo weaves the story of herself and her sisters and their experience growing up in Civil War America.